Empire State of Mind

Today I cried watching this video
Then downloaded the song
And with Alicia on repeat
Ran 5km
Despite the snow still on the ground
And recalled that the next adventure
Is just around the corner

The end.

Part of It All

There is a song in the musical [title of show] called "Part of It All", in which the two leads Hunter and Jeff sing about wanting to be a part of the buzz, excitement, inevitable post-show blues, and life that is show business. And it is lovely when you are in the midst of it, and feeling exactly part of it. When you spend your days singing and dancing and fluting and running to the theatre and from rehearsal to rehearsal and you go to sleep dreaming about inversions and chord progressions and you spend your nights covered in white paint and hair gel and glitter and the thrill buzz excitement of being in front of an audience. And you wake up ready to start all over again. And if that is being part of it all, I love it with every inch of my being. 

19 Lovelies

Just because it is the nineteenth day of the year, and the nineteenth day of the month, here are nineteen things inspiring me at present...

1. My job. I love getting paid to watch a profesh musical every day. It is amazing.
2. Being in a new Australian musical, Wonderland. Working with beautiful, lovely, talented, and awesome people.
3. Seth Rudetsky. Whenever I am down, sad, or lonely, Seth is there with a deconstruction to remind me that someone is as obsessive about musicals as I am. Perhaps even more so.
4. MusicalTalk. Every episode I learn something new. It inspires me to learn more, to get my hands on every musical ever recorded, and to watch everything that comes out.
5. The absolute plethora of musical activity happening in Australia right now. Carnegie 18, Jersey Boys, Wicked, Hairspray, Mary Poppins, Xanadu, Rock of Ages, Doctor Zhivago, Legally Blonde... We are not a cultural wasteland of despair.
6. My beautiful friends. You know who you are. You are amazing.
7. Playing flute and learning new music.
8. Watching people rally together to help each other in the flood crisis.
9. Singing in front of an audience. Singing at home. Singing in rehearsal. Singing lessons.
10. Writing every morning for half an hour.
11. Knowing that I'm moving to London to study musical theatre.
12. Knowing that I'm going back to summer camp in June.
13. Going back to the markets and seeing all my lovely vendors again. Eating beautiful food.
14. Nemo, my regular "The Big Issue" vendor, who always has a smile and a story about the current issue
15. Running weekly morning meditation sessions in Glebe and sharing what I've learnt and knowing that  others are benefiting too
16. Amy Krouse Rosenthal and her 7 things. Always Trust Magic, Beckon the Lovely, Connected, Do, Empty Spaces, Figure it out as you go, Go to it.
17. Researching, writing, and recording episodes for Flusical with Flick.
18. Going to dance class and being surrounded by beautiful, talented people, and being pushed to be better
19. Breathing into the moment and trusting that it will be ok.

Christmas Stocking

Christmas has passed and it’s now the season for taking stock of the year. Some of this year has been awful. But you breathe into the pain, and you just keep breathing, and suddenly you find that you are surrounded by an absolute plethora of amazing food, music, family, friends, and theatre. And you come to the end of the year with the ability to say that much of it has been utterly wonderful. In no particular order, the beautiful, inspiring, exciting, and lovely things in my life this year have been...

• The Eveleigh Farmer’s Markets with my bestie Len
• Starting dance, singing, and flute lessons again
• Starting Flusical with Flick
• Starting the Movie Musical Project
• Learning to cook pasta, ice cream, polvoron, bread, pastry, and cheese from scratch
• Quitting the security of a full-time job to pursue theatre and it being utterly wonderful 
• Getting paid to watch Jersey Boys several times a week
• Moving to Ashfield with beautiful housies 
• Developing my personal meditation practise, obtaining my Meditation Facilitator’s Certificate, running morning meditations in Glebe
• Performing in The Pajama Game and meeting all the beautiful wonderful people at Strathfield Musical Society
• Singing with the Bling Band
• Running my first City to Surf  
• Discovering MusicalTalk, Seth Rudetsky, Amy Krouse Rosenthal, and Superforest 
• Knowing that I am surrounded by the most beautiful, talented, wonderful, supportive friends
• Knowing that I have incredibly beautiful, talented, wonderful, supportive families 
• Working with amazing people 
• Seeing Shoshana Bean, Donna McKechnie, Stephen Schwartz, and Liz Callaway perform in Sydney and Brisbane 
• Being accepted into the London Central School of Speech and Drama Masters of Music Theatre program

Yum and Fun

My goodness what a weekend! There have been so many moments of inspiring, beautiful, and lovely in the past three days that I barely know where to begin. I performed in my first dance concert since I was 14, I visited the North Sydney Markets and Eveleigh Farmer’s Markets and wished all my wonderful vendors a Merry Christmas, thanking them all profusely for the past year of amazing locally and organically grown delights, I cooked up a storm with my housie/bestie Len, I met a ton of performers, musicians, and techies, I partied, I watched the 8th Annual Cabaret Showcase, and I marveled at the way the weather can change from bright hot sunshine to cold and rain and even snow in Australia in December (?!?!?!?!?), all in the space of 48 hours. Crazy!!

And now to the yum factor. Following the cancellation of other exciting Saturday night adventures Len and I decided to put a rare weekend night at home by baking up a storm. Len put his recently acquired Italian culinary skills to the test and whipped up the most incredible roast pumpkin ravioli in a thyme butter sauce. Dear future girlfriends of Len, this man is a seriously amazing cook. No seriously. Freaking amazing. The promise of the addition of roast garlic to reprises of this dish is something I’m very much looking forward to. Dear Len. Please stop reading the blog and get baking. Many thanks... :) I had some left over plums and cherries which weren’t going to last much longer, so making a variation on a Cyndi O’Meara recipe for a lemon tart, I whipped together a cherry pie. It was ridiculously easy, and oh so very, very tasty. And I realised afterwards, with considerable joy, that I knew where every single ingredient came from, and just about all the farmers who had worked to bring me these goodies. The eggs and plums came from Champion's Mountain Organics, the honey from Malfroy's Gold, the cold pressed macadamia oil from Hand n' Hoe Organics, the flour from Demeter Farm Mill, and the cherries from Yuri’s Sustainable Produce in Orange. 

Beautiful food, beautiful music, performing, and spending time with amazing people. Life really doesn’t get any better than this! 

It's Only For Now

The only constant is change. Around this time a year ago I thought I was getting married and moving into my own apartment with my (now ex) beloved. Around this time two years ago I was hanging out at summer camp and getting ready to walk the Camino. Around this time three years ago I was despairing that I would ever meet a single straight guy who loves theatre (ok, some things may never change...). Despite many amazing things happening in my life right now, of late I have been feeling uninspired and tired. I have to trust that this feeling will change. 

And so, in an attempt to remain positive and be kind to myself, I have compiled a list of things, in no particular order, that inspire me... 

meditation. musicals. running. listening to Seth Rudetsky. watching Seth Rudetsky. reading a good novel or short story. listening to classic fm. watching a movie musical. dancing. writing. spending time with beautiful people. being kind to myself. eating dark chocolate. reading superforest. spending an afternoon in a library. going to a talk and getting fired up. candles. having a good sing. sitting in bed and listening to the neighbour practise their violin. listening to musicaltalk. journalling. colouring in. sitting in the sun on a bright blue sky and reading a good book. learning. buck’s rock. the idea of living on an organic theatre farm. travel. the camino. eating beautiful food. cooking beautiful food. Eveleigh Farmer’s Markets. sustainability. possibility. falling in crush. superforest. reading old diaries. watching musicals on youtube. going to good theatre. creating theatre. performing. playbill.com. 

As they say in Avenue Q, “Everything in life is only for now! Life may be scary, but it’s only temporary...” This too shall pass, and soon I will have the energy to go out and conquer the world!

West Side Story

    

I had the absolute pleasure of seeing a new production of West Side Story at the Lyric Theatre on Friday night. I admit I wasn't going to see this production. The advertising has been billing the show as "new, hot, and vibrant", and I wondered how anyone could make a fifty year old classic musical "new". But when some discounted tickets came up, I had to go.

Whilst paying tribute to the original Jerome Robbins staging, Joey McKneely's slick and gutsy production injects modern flair and sensibility into a Broadway classic. Aside from the dancing, which was absolutely phenomenal, what stood out for me in this production was the story of immigration: everyone, at some point in the American story, is an immigrant, everyone struggles, and living in the city is tough. And when the fiery passions of the people defending "their" turf, and dream of a new life collide, you have a tragedy of Shakespearean scale on your hands. Paul Gallis' stylised and stark fire-escape set, along with the use of projected 1950s black and white images of New York City, created a sense of alienation and evoked the harsh reality of living in the city. The athletic and punchy choreography gave a sense of the raw strength and primal energy of the dueling gangs, making the stylised fight scenes entirely believable and gripping.

The ensemble as a whole were fantastic, and their commitment to playing street-toughened teens was convincing. I loved the unusual interpretation of the "Officer Krupke" number. It is usually played for comic relief, but in this production, it highlights the raw energy of disillusioned young men, and you can well understand why these boys would turn to gang life for solace. Alinta Chitdz as Anita was the standout lead. She is a total knock-out, and her saucy renditions of "America" and "A Boy Like That" were thrilling. 

McKneely's production was refreshingly all about story-telling. No celebrity castings, or flashy stage effects, just a strong and highly talented ensemble using song and dance to tell a story about the tragedy of alienation, violence, and forbidden love in the harsh and unforgiving city. It was interesting to note however the audience's reactions to the seemingly over-sentimental and heightened love between Tony and Maria. Even in a classic well-known musical, modern audiences can't buy this all passionate all consuming climbing fire escapes in the middle of the night, proclaiming I love you's and I'm going to marry you's, and "I'm going to have a thousand babies and name them all after Doc - even the girls"in the first five minutes of meeting a forbidden love.

The biggest barrier to this show is not sentimentality, but price. At $120 a ticket (for A reserve), I imagine many people are going to miss this show, which is a great shame, because we don't get musicals of this standard in Australia very often. The billing of the show as new, hot, and vibrant is spot on, and if you like dance this is a must-see production.

Stephen, Shoshana, and Donna, OH MY!

Sydney is just under 16,000km from New York City, and if Luisa can’t be on Broadway, then you must bring Broadway to Luisa! And fortuitously for me, Broadway well and truly came to Australia this week. In the past 7 days, I have seen composer Stephen Schwartz (Godspell, Pippin, and Wicked, among many others), actresses Shoshana Bean (Hairspray, and Wicked), and Donna McKechnie (A Chorus Line, Follies, Company, among many, many other shows)!

Last Sunday found me at the City Recital Hall in Angel Place surrounded by a full-house of fellow musical theatre nerds for “An Evening with Stephen Schwartz: Festival of Broadway”. The evening was a showcase of Stephen Schwartz’s music, beginning with Godspell and ending with “the W show,” Wicked, along with a discussion between Stephen Schwartz and Michael A. Kerker, (Director of Musical Theatre for ASCAP - the American Society of Composers, Authors, and Publishers). Directed by questions from Kerker, Schwartz discussed the processes behind developing a musical, his journey to the Great White Way, what it was like to have three shows playing simultaneously on Broadway, working with Alan Menken on the Disney projects, traveling to Denmark with a commission to write a new musical celebrating the life of Hans Christian Anderson, working on a new opera, and the story behind the inspiration for Wicked. 

Hearing showtunes played by a full symphony orchestra is always a treat, and watching Liz Callaway, (another Broadway veteran, and also the singing voice of Princess Jasmine in Aladdin and the title role of Anastasia) was fabulous, but my highlight of the evening was definitely Stephen himself singing and playing his own compositions. He played early versions of “The Wizard and I”, and shared how the song, and subsequently the Wicked plot, progressed from early drafts to the version we know (and utterly love) today. The night finished with a beautiful rendition of “For Good,” with Schwartz playing solo on the piano. “For Good” is a moving ballad of friendship and reflection, and to be sitting three rows from the composer himself, was nothing short of glorious. His warm spirit and youthful sense of joy absolutely shone through, and I just melted. 

Three days later, I jetted up to Brisbane for the evening to see “Broadway to BrisVegas:  Shoshana Bean Live in Concert”. The venue was the Brisbane Powerhouse, a former power station, that has been converted into a cultural centre in the lovely suburb of New Farm. The show opened with a jazz version of “Wouldn’t It be Loverly” from My Fair Lady and not a schmaltzy Michael Buble kind of jazz, but a vocally gymnastic riffed tribute-to-Ella kind of jazz. Wow! I had chills up and down my spine all through the song - a reaction I had right throughout the concert. The following numbers, including “Down with Love,” and “My Funny Valentine”, showed off Shoshana’s vocal range and ability to seamlessly transition from swing to sultry to sumptuous. The pianist, James Sampliner, also the MD of the evening (and later I found out the MD of Legally Blonde The Musical... OHMYGOD!), was an amazingly gifted musician. The audience was as much in love with him as they were with Shoshana Bean, and throughout his dazzling and spirited solos I could not believe that the piano was able to stay in one piece or not fly off the stage from all the energy poured in through each number. 

After honouring the “classics,” Bean moved onto more contemporary Broadway composers, including Jeremy Schoenberg, Jason Robert Brown, and Georgia Stitt. Although she is well known for her Broadway showtune belting, the stand out numbers from the evening were from Bean’s own (debut) album, “Superhero”, written by Ms. Bean herself. It was amazing to see her singing her own material. It was almost as if she had stripped off a veneer (warm and beautiful as it is) to reveal her true self (equally as warm and beautiful), and it was breath-taking. Another highlight was Shoshana sharing her horrifying realisation, when she was about 13, that she wasn’t black. And so she sang a medley of all the parts she will never get to play as a white woman - ranging from AIDA, RENT, Porgy and Bess, Once on This Island, Ragtime, Children of Eden and Dream Girls. She jumped from pop to musical theatre to opera and back all within a breath. Hilariously brilliant. 

Her belting, her riffing, her legit voice, her comic timing, her melty jazz voice, her perfectly not annoying pingy musical theatre twang... oh my! I LOVED IT! Am I gushing? She was gorgeous. I floated back to my hotel room totally and utterly inspired. And what about the effort of flying up to Brisbane to be there for less than 12 hours, and enduring a 6 hour commute to work the next morning, all for one hour(ish) of musical theatre? So worth it - so worth it in fact, I’m seeing her again tonight in Sydney! WOOHOO!*

On Thursday night, I headed out to the Factory Theatre in Marrickville to see Broadway royalty Donna McKechnie perform her cabaret show “My Musical Comedy Life”. McKechnie swanned on stage, looking every bit the Broadway performer, with fake eyelashes, theatrical make up, and glitter everywhere. The script felt rehearsed and a little overstaged, and I worried that McKechnie wouldn’t be able to hit all the notes after her first number left her out of breath, but while she found it difficult to speak between numbers, her singing voice was still clear and strong. And despite arthritis and her age, she can still dance! 

A Chorus Line was the first musical I saw live, and I spent many inspired hours of my childhood listening, and dancing along, to the original Broadway cast recording. The ultimate moment of the evening for me therefore, was of course “Music and the Mirror”. The number was made all the more special by the back story of how the song came to be (it was the last number written for the show), and seeing McKechnie at sixty-nine years of age still belting it out just like that disembodied voice that has floated out of my grandma’s stereo so many countless times bought me to tears. 

*I’m home from Shoshana Bean at The Factory... what can I say?! AMAZING. I am completely and utterly inspired and excited. The past seven days have been thrilling. I want to sing. I want to dance. I want to write music. I want to listen to every musical ever written. I want to see a thousand Broadway shows. I want to live in NYC and be surrounded by all of this day and night. Thank you thank you thank you Stephen Schwartz, Liz Callaway, Donna McKechnie, Shoshana Bean and James Sampliner for traversing 16,000km of continents and ocean and bringing a touch of Broadway to the land of Oz. It has been nothing short of WONDERFUL!